Prop assistant during technical rehearsals for The Entertainer, the Kenneth Branagh Theatre Company. Paint effects, dressing, sourcing props keeping within the period.
Working from reference images making complete copies and interpretations of masks. Clay sculpting, paper mache, vacuum forming, using latex, fabric and paint. Minetti Director Tom Cairns Royal Lyceum theatre
Minetti Tom Cairns Royal Lyceum theatre
A full size doner kebab made from polystyrene, wadding, latex and paint. Screwed Theatre503 Director Sarah Meadows Designer Cathrine Morgan
A free-standing teapot was made with a metal frame inside which ran out of the spout to a stand, it gave the impression of hanging in the air. Polystyrene, Jesmoite, hand painted and glazed. Mix media used for cakes. For the National Theatre's Wonder.land exhibition
Mixed fabrics cut and applied to make the crest for this flag. Hand and machine sewing, breaking down and ageing.
Making fabric masks fit to individual actors to create an anonymous look for the character. Using stretch fabrics and hand painting features on top. Working closely with the designer to find the right look, comfort and sight for the performers. Working with Clarice from sweetntwisted.com The Hairy Ape Old Vic Director Richard Jones Designer Steward Laing
The Hairy Ape Old Vic Director Richard Jones Designer Steward Laing
Adapting a modern bonsai tool box, functional fixtures were added, a paint effect and a vinyl logo decoration. Set dressing on stage. As You Like It National Theatre Director Polly Findlay Designer Lizzie Clachan